Thursday, March 25, 2021

[quotes] When I Was Puerto Rican - Esmeralda Santiago 1993

 

"I had my last guava the day we left Puerto Rico."

"My own grandparents, whom I was to respect as well as love, were said to be jibaros. But I couldn't be one, nor was I to call anyone a jibaro, lest they be offended. Even at the tender age when I didn't yet know my real name, I was puzzled by the hypocrisy of celebrating a people everyone looked down on."

"A bubble of rage built inside my chest and forced out a scream meant for Mami's harshness and Papi's indifference but directed at Delsa who was smaller. I pushed her off the stump."

"'Well, it is the soul of a person that writes poetry ... The soul lives inside a person when he's alive. It's the part of a person that feels. A poet's soul feels more than regular people's souls. And that's what makes him write poetry."

"There was no rice on the chart, no beans, no salted codfish. There were big white eggs, not at all like the small round ones our hens gave us. There was a tall glass of milk, but no coffee. There were wedges of yellow cheese, but no balls of cheese like the white queso del pais wrapped in banana leaves sold in bakeries all over Puerto Rico. There were bananas but no plantains, potatoes but no batatas, cereal flakes  but no oatmeal, bacon but no sausages."

"And I wished that I knew how to pray, because then I could speak to God and maybe He or one of His saints could explain things to me. But I didn't know any prayers, because Mami didn't believe in church or holy people, and Papi, even though he read the Bible and could lead novenas for the dead, never talked to us about God."

"But he didn't, and when Abuela came out from her prayers, we sat by the door, working our needles in, around, up, and out, silently making patterns with thread that might have told a story had either one of us known how to transform our feelings into shape."

"I dressed to their murmurs in the other room, their voices soft but strained, and I wondered if men ever talked like this, if their sorrows ever spilled into these secret cadences."

"I buried my face in the soft space between her neck and shoulder and sought there the fragrance of oregano and rosemary, but all I could come up with was Cashmere Bouquet and the faint flowery dust of Maybeline."

"Someone down there can look up through the hole and see my private parts, I thought. There is someone down there. A dead person is in that water waiting for me to squat so that it can claw me in and drown me in turds and pee. There are eyes looking up from that black pool, seeing parts of me that even I can't see."

"I tossed until dawn, unused to so much room on the bed, while on the other side of the wall, my sisters and brothers slept, their bodies gently rising and falling in rhythm with one another's breathing."

"I crouched against the wall and watched them injure each other without touching each other, hurling words that had the same effect as acid on metal."

"For me, the person I was becoming when we left was erased, and another one was created. The Puerto Rican jibara who longed for the green quiet of a tropical afternoon was to become a hybrid who would never forgive the uprooting."

"I dozed, startled awake, panicked when I didn't know where I was, remembered where we were going, then dozed off again, to repeat the whole cycle, in and out of sleep, between earth and sky, somewhere between Puerto Rico and New York."

"They dressed like Americanos but walked with a jaunty hop that made them look as if they were dancing down the street, only their hips were not as loose as Puerto Rican men's were. According to Mami, they too lived in their own neighborhoods, frequented their own restaurants, and didn't like Puerto Ricans."

"Men only want one thing, and until then, I thought it was up to me to give it up. But that's not the way it was. A little girl leaning out a window watching the world fulfilled the promise Marilyn Monroe made with her eyes. I who had promised nothing, who knew even less, whose body was as confusing as the rock and roll lyrics accompanying the trucker's hand pumping up and down to words yelled, not sung."

"We could count on her in a way we had never been able to count on Papi, Tata, or Francisco, who had made everyone happy for such a short time before dying and becoming a ghost that haunted us all for the rest of our lives."

"The men they beat up; the women, they raped. I couldn't stop thinking about it as I walked to school, or home from the library: every man was a potential rapist, and every dark doorway was a potential hiding place for someone waiting to hurt me."

"'You'll be exposed to a different class of people,' she assured me, and I felt the force of her ambition without knowing exactly what she meant."

Friday, March 12, 2021

[quotes] Undrowned: Black Feminist Lessons from Marine Mammals - Alexis Pauline Gumbs 2020

 

[This book was apparently started as a series of Instagram posts and that's just so inspiring to me. I love how accessible and welcoming transformative knowledge has become. Also passages of this book read like beautiful poems.]

"I have to do some work to disrupt the violent colonizing languages of almost all the texts in which I have accessed information about marine mammals and their lives, and families and super-powers and struggles."

"There are at least three ways to love you: as you were, as you are, as you will be. I love you. That means I choose all three."

"I wonder what it means for an ocean dolphin to swim up a river. The bottlenose has a range across the whole planet, the whole open ocean and yet sometimes they will choose the boundaries and specificity of a river, brackish water, narrow shores. Why?"

"And for all of you, ocean dolphins, wondering 'What am I doing in this river full of mud?' Remember why Harriet Tubman went south. She didn't have to. She was skilled, untraceable. She could have been individually free. Unencumbered. But if she wanted to tell an everlasting truth about freedom that would ring across the planet, a message for the ages, she had to live free in unfree spaces. It was the only way to bring us all with her."

"Legally and narratively, our society encourages small, isolated family units and an anti-social state reluctant to care. So care becomes the unsustainable work, the massive unpaid labor that breaks backs, hearts, and the visionary will of multitudes on a regular basis... What can we learn about the failure of the imagined ideal household? What could we learn if we cared to learn?"

"I do know that sometimes people have seen a part of themselves in me too messy to beat. Do I cherish my wildness more than I fear their rejection? Sometimes if I feel all my emotions in public I can't make myself speak. But sometimes I speak anyway."

"Sometimes when someone is avoiding you, they are just avoiding you. We have the right to be obscure. It is not an invitation to colonize us. It is not seduction. Boundaries can be so beautiful. Teach so much."

"The fact that you grew up not knowing that narwhals were a real animal swimming around in the Arctic right now, is not a coincidence. It is the result of a long and lucrative conspiracy. Turns out, since the Middle Ages, whalers, traders, explorers, and even chemists collaborated to hide the existence of the narwhal as a real animal, while selling their tusks as 'unicorn horns' at a huge profit."

"At just the right moment, the scholar Tavia Nyong'o reminded me that to conspire means to breathe together. Like narwhals do by the hundreds every summer. It's happening now. May we activate and renew the oldest conspiracy, remember all the thick impossible breathing before us and after us and with us, too real to be for sale. Too beautiful to be forgotten. Too magical for theft."

"I'm sure neither Moana nor the WWF are perfect, and no, I don't believe that capitalism can heal the Earth, but there is something for me to learn from this rare collaboration across these particular sectors."

"I love the way you live a layered Blackness where Black meets Black across itself as Black. How you make family out of need and tradition out of what is left and found."

"Sometimes when you love the coast enough you become shoreline. Move so steady on the floor algae grows on you. Sometimes the way you love is perfectly on time and very slow is fast enough. So keep on breathing."

Friday, February 26, 2021

[poems] homie - Danez Smith 2020

 

[I loved most of the poems in this collection. Danez Smith is such a gem. Where I've found versions of the poems online, they are hyperlinked. Sometimes they are different versions from what's printed in this collection.]

Poems: 

in lieu of a poem, i'd like to say

sometimes i wish i felt the side effects

    "you stare at fangs long enough, even fangs pink with your own blood look soft."

say it with your whole black mouth 

white niggas

what was said on the bus stop

i didn't like you when i met you

    "it was just my reflection i couldn't stand. i saw it. the way you would break me into a better me."

ii. ending with nothing

    "i counted the things used to end a boy but forgot the boy himself."

undectectable

    "i am the most important species in my body."

C.R.E.A.M.

happy hour

    "sometimes with nothing to say, just to sit on the phone & be alive together for a while"

my poems

trees!

my nig

    "there is already so much trying to end us so let it not include our hands today, let us not be dead"

acknowledgements

    "& how many times have you loved me without my asking? how often have i loved a thing because you loved it? including me"

Tuesday, February 2, 2021

[poems] Night sky with exit wounds - Ocean Vuong 2016

 


[I first heard of Ocean Vuong during a writing group where we read "Someday I'll Love Ocean Vuong". After reading that, I watched some video interviews and was so inspired by how he talks about his family and what it means to be an Asian American artist. Here are some my favorite poems and lines from Nigh sky with exit wounds.]

Poems: 

A Little Closer to the Edge

Headfirst

    "But only a mother can walk with the weight of a second beating heart."

Seventh Circle of Earth 

    "Don't we touch each other just to prove we are still here?"

Untitled (Blue, Green, and Brown): oil on canvas: Mark Rothko: 1952

Prayer for the Newly Damned

Logophobia

Someday I'll Love Ocean Vuong 


Wednesday, January 20, 2021

[quotes] Parable of the Sower - Octavia Butler 1993

 

[I found this book through reading adrienne maree brown's work. Through that, I found out about Afrofuturism as a genre. Looking forward to read more books by Octavia Butler. She was from Los Angeles and wrote books on the bus! That's rad. There's a makerspace in the Los Angeles Central Library named after her.]

All that you touch 

You Change.

All that you Change

Changes you. 

The only lasting truth 

Is Change.

God

Is Change.


"I've never felt that I was making any of this up - not the name, Earthseed, not any of it. I mean, I've never felt that it was anything other than real: discovery rather than invention, exploration rather than creation. I wish I could believe it was all supernatural, and that I'm getting messages from God. But then, I don't believe in that kind of God. All I do is observe and take notes, trying to put things down in ways that are powerful, as simple, and as direct as I feel them. I can never do that. I keep trying, but I can't. I'm not good enough as a writer or poet or whatever it is I need to be. I don't know what to do about that. It drives me frantic sometimes. I'm getting better, but so slowly."

"We'll adapt. We'll have to. God is Change. Strange how much it helps me to remember that."

"'That isn't what God is for, but there are times when that's what prayer is for. And there are times when that's what these verses are for. God is Change, and in the end, God prevails. But there's hope in understanding the nature of God - not punishing or jealous, but infinitely malleable. There's comfort in realizing that everyone and everything yields to God. There's power in knowing that God can be focused, diverted, shaped by anyone at all. But there's no power in having strength and brains, and yet waiting for God to fix things for you or take revenge for you. You know that. You knew it when you took your family and got the hell out of your boss's house. God will shape us all every day of our lives. Best to understand that and return the effort: Shape God.'"

Saturday, January 16, 2021

[quotes] call me by your name - Andre Aciman 2007

 

[Oh what an absolutely beautifully written book. Wow. Just read these lines. This is definitely a book I will keep coming back to.]


"I'd never heard anyone use 'later' to say goodbye before. It sounded harsh, curt, and dismissive, spoken with the veiled indifference of people who may not care to see or hear from you again."

"I knew exactly what phrase in the piece must have stirred him the first time, and each time I played it, I was sending it to him as a little gift, because it was really dedicated to him, as a token of something very beautiful in me that would take no genius to figure out and that urged me to throw in an extended cadenza. Just for him."

"Fire like fear, like panic, like one more minute of this and I'll die if he doesn't knock on my door, but I'd sooner he never knock than knock now."

"It never occurred to me that what had totally panicked me when he touched me was exactly what startles virgins on being touched for the first time by one person they desire: he stirs nerves in them they never knew existed and that produce far, far more disturbing pleasures than they are used to on their own."

"People laugh at his humor not because he is funny but because he telegraphs his desire to be funny. His humor is nothing more than a way of winning over people he can't persuade."

"... it would never have seemed remotely possible that someone so thoroughly okay with himself might want me to share his body as much as I ached to yield up mine."

"There is a law somewhere that says that when one person is thoroughly smitten with the other, the other must unavoidably be smitten as well."

"Is this one blushing with shame? No, she would say, this one is too young still, youth has no shame, shame comes with age."

"You are my homecoming. When I'm with you and we're well together, there is nothing more I want. You make me like who I am, who I become when you're with me, Oliver."

"How effortless and free the movement of his shoulder blades each time he shifted, how thoughtlessly they caught the sun."

"Did I want to be like him? Did I want to be him? Or did I just want to have him? Or are 'being' and 'having' thoroughly inaccurate verbs in the twisted skein of desire..."

"Take your clothes off, Oliver, and come into my bed, let me feel your skin, your hair against my flesh, your foot on mine, even if we won't do a thing, let us cuddle up, you and I, when the night is spread out against the sky, and read stories of restless people who always end up alone and hate being alone because it's always themselves they can't stand being alone with..."

"Every day, if I don't mess things up, we can ride into town and be back, and even if this is all he is willing to give, I'll take it - I'll settle for less, even, if only to  live with these threadbare scraps."

"This felt special. Like showing someone your private chapel, your secret haunt, the place where, as with the berm, one comes to be alone, to dream of others. This is where I dreamed of you before you came into my life."

"It was in every word she'd spoken to me that night - untrammeled, frank, human - and in the way her hips responded to mien now, without inhibition, without exaggeration, as though the connection between lips and hips in her body was fluid and instantaneous. A kiss on the mouth was not a prelude to a more comprehensive contact, it was already contact in its totality."

"I couldn't understand how boldness and sorrow, how you're so hard and do you really care for me? could be so thoroughly bound together."

"I'm not sure I want to go ahead with this, but I need to know, and better with you than anyone else. I want to know your body, I want to know how you feel, I want to know you, and through you, me."

"Everyone was available, lived availably - like the city - and assumed everyone else wished to be so as well. I longed to be like them."

"'Like every experience that marks us for a lifetime, I found myself turned inside out, drawn and quartered. This was the sum of everything I'd been in my life - and more: who I am when I sing and stir-fry vegetables for my family and friends on Sunday afternoons; who I am when I wake up on freezing nights and want nothing more than to throw on a sweater, rush to my desk, and write about the person I know no one knows I am; who I am when I crave to be naked with another naked body, or when I crave to be alone in the world; who I am when every part of me seems miles and centuries apart and each swears it bears my name."

"... is quite charming, through I've no idea how your metaphor will help us see who we are, what we want, where we're headed, any more than the wine we've been drinking. But if the job of poetry, like that of wine, is to help us see double, then I propose another toast until we've drunk enough to see the world with four eyes..."

"He left. Nothing else had changed. I had not changed. The world hadn't changed. Yet nothing would be the same."

"I'd dust him off from time to time and then put him back on the mantelpiece. He no longer belonged to earth or to life. All I was likely to discover at this point wasn't just how distant were the paths we'd taken, it was the measure of loss that was going to strike me - a loss I didn't mind thinking about in abstract terms but which would hurt when stared at in the face, the way nostalgia hurts long after we've stopped thinking of things we've lost and may never have cared for."

"Twenty years was yesterday, and yesterday was just earlier this morning, and morning seemed light-years away."

"If you remember everything, I wanted to say, and if you are really like me, then before you leave tomorrow, or when you're just ready to shut the door of the taxi and have already said goodbye to everyone else and there's not a thing left to say in this life, then, just this once, turn to me, even in jest, or as an afterthought, which would have meant everything to me when we were together, and, as you did back then, look me in the face, hold my gaze, and call me by your name."

Sunday, January 10, 2021

[quotes] The Girl With the Dragon Tattoo - Stieg Larsson 2008

 


"It put greater demands on the employees' judgement and experience than on their knowledge of telecommunications technology or the installation of surveillance apparatus."

"She had a wide mouth, a small nose, and high cheekbones that gave her an almost Asian look."

"He thought about his own Muslim upbringing, which had taught him that it was his duty to God to help the outcasts."


"It was not a sexual attraction, at least he did not think so. The women he was usually attracted to were blonde and curvaceous, with full lips that aroused his fantasies."

"'But I also want you to feel some sort of friendship and trust in me.'"

"His mother, as far as I could see, was never anything but a housewife."

"The job of the financial journalist was to examine the sharks who created interest crises and speculated away the savings of small investors"

"He sat on the kitchen bench and tried to read a novel which, according to the back cover text, was the sensational debut of a teenage feminist."

"He was no more a Nazi than I was, but for convenience he was a member of the party. His membership card opened doors and facilitated opportunities for the Vanger Corporation - and business was precisely what we did."

"The Swastika and the Wasa Sheaf, which dealt with the symbols adopted by the German and Swedish Nazis."

"The only problem was finding a guy who was not a jerk and who was also good in bed."

"And then I want the Vanger Corporation to donate 2 million kronor annually and in perpetuity to the National Organisation for Women's Crisis Centres and Girls' Crisis Centres in Sweden."

"After September 11 it was not a good idea to attract attention by having any sharp objects in your baggage."

"Cecilia will play an active role on the board. She and Harriet will be in charge of the firm from now."

"What do you need me for? Salander's greatest fear, which was so huge and so black that it was of phobic proportions, was that people would laugh at her feelings. And all of a sudden all her carefully constructed self-confidence 

Thursday, December 31, 2020

[quotes] The Fire Next Time - James Baldwin 1962

 


"Know whence you came. If you know whence you came, there is really no limit to where you can go. The details and symbols of your life have been deliberately constructed to make you believe that white people say about you. Please try to remember that what they believe, as well as what they do and cause you to endure, does not testify to your inferiority but to their inhumanity and fear."

"For this is your home, my friend, do not be driven from it; great men have done great things here, and will again, and we can make America what America must become."

"To be sensual, I think, is to respect and rejoice in the force of life, of life itself, and to be present in all that one does, from the effort of loving to the breaking of bread."

"What it comes to is that if we, who can scarcely be considered a white nation, persist in thinking of ourselves as one, we condemn ourselves, with the truly white nations, to sterility and decay, whereas if we could accept ourselves as we are, we might bring new life to the Western achievements, and transform them."

"White Americans find it as difficult as white people elsewhere do to divest themselves of the notion that they are in possession of some intrinsic value that black people need, or want. And this assumption - which, for example, makes the solution to the Negro problem depend on the speed with which Negroes accept and adopt white standards - is revealed in all kinds of striking ways, from Bobby Kennedy's assurance that a Negro can become President in forty years to the unfortunate tone of warm congratulations with which so many liberals address their Negro equals."

"Love takes off the masks that we fear we cannot live without and know we cannot live within. I use the word 'love' here not merely in the personal sense but as a state of being, or a state of grace - not in the infantile American sense of being made happy but in the tough and universal sense of quest and daring and growth."

"If we - and now I mean the relatively conscious whites and the relatively conscious blacks, who must, like lovers, insist on, or create, the consciousness of the others - do not falter in our duty now, we may be able, handful that we are, to end the racial nightmare, and achieve our country, and change the history of the world. If we do not now dare everything, the fulfillment of that prophesy, re-created from the Bible in song by a slave, is upon us: God gave Noah the rainbow sign, No more water, the fire next time!"


Monday, December 28, 2020

[quotes] The Selected Works of Audre Lorde - Audre Lorde, Roxane Gay (ed.) 2020

  


"For there are no new ideas. There are only new ways of making them feel - of examining what those ideas feel like being lived on Sunday morning at 7A.M., after brunch, during wild love, making war, giving birth, mourning our dead - while we suffer the old longings, battle the old warnings and fears of being silent and impotent and alone, while we taste new possibilities and strengths." - Poetry Is Not a Luxury

"And where the words of women are crying to be heard, we must each of us recognize our responsibility to seek those words out, to read them and share them and examine them in their pertinence to our lives. That we not hide behind the mockeries of separations that have been imposed upon us and which so often we accept as our own. For instance, 'I can't possibly teach Black women's writing - their existence is so different from mine.' Yet how many years have you spent teaching Plato and Shakespeare and Proust? Or another, 'She's a white woman and what could she possibly have to say to me?' Or, 'She's a lesbian, what would my husband say, or my chairman?' Or again, 'This woman write of her sons and I have no children.' And all the other endless ways in which we rob ourselves of ourselves and each other." - The Transformation of Silence into Language and Action 

"If white american feminist theory need not deal with the differences between us, and the resulting difference in our oppressions, then how do you deal with the fact that the women who clean your houses and tend your children while you attend conferences on feminist theory are, for the most part, poor women and women of Color? What is the theory behind racist feminism?" - The Master's Tools Will Never Dismantle the Master's House

"If I participate, knowingly or otherwise, in my sister's oppression and she calls me on it, to answer her anger with my own only blankets the substance of our exchange with reaction. It wastes energy. And yes, it is very difficult to stand still and listen to another woman's voice delineate an agony I do not share, or one to which I myself have contributed." - The Uses of Anger

"I am a lesbian woman of Color whose children eat regularly because I work in a university. If their full bellies make me fail to recognize my commonality with a woman of Color whose children do not eat because she cannot find work, or who has no children because her insides are rotted from home abortions and sterilizations; if I fail to recognize the lesbian who chooses not to have children, the woman who remains closeted because her homophobic community is her only life support, the woman who chooses silence instead of another death, the woman who is terrified lest my anger trigger the explosion of hers; if I fail to recognize them as other faces of myself, then I am contributing not only to each of their oppressions but also to my own, and the anger which stands between us then must be used for clarity and mutual empowerment, not for evasion by guilt or for further separation. I am not free while any woman is unfree, even when her shackles are very different from my own. And I am not free as long as one person of Color remains chained. Nor is any one of you." - The Uses of Anger

"When I say I am a Black feminist, I mean I recognize that my power as well as my primary oppressions come as result of my Blackness as well as my womanness, and therefore my struggles on both these fronts are inseparable. When I say I am a Black Lesbian, I mean I am a woman whose primary focus of loving, physical as well as emotional, is directed to women. It does not mean I hate men." - I Am Your Sister

"There was a poster in the 1960s that was very popular: HE'S NOT BLACK, HE'S MY BROTHER! It used to infuriate me because it implied that the two were mutually exclusive - he couldn't be both brother and Black. Well, I do not want to be tolerated, nor misnamed. I want to be recognized. 

I am a Black Lesbian, and I am your sister." - I Am Your Sister

"We all have to die at least once. Making that death useful would be winning for me. I wasn't supposed to exist anyway, not in any meaningful way in this fucked-up white boys' world. I want desperately to live, and I'm ready to fight for that living even if I die shortly. Just writing those words down snaps everything I want to do into a neon clarity." - A Burst of Light

"And first off I identified as a Black Feminist Lesbian poet, although it felt unsafe, which is probably why I had to do it. I explained that I identified myself as such because if there was one other Black Feminist Lesbian poet in isolation somewhere within the reach of my voice, I wanted her to know she was not alone." - A Burst of Light

"Tomorrow belongs to those of us who conceive of it as belonging to everyone, who lend the best of ourselves to it, and with joy." - A Burst of Light

"The first people who interviewed me in white coats from behind a computer were only interested in my health-care benefits and proposed method of payment. Those crucial facts determined what kind of plastic ID card I would be given, and without a plastic ID card, no one at all was allowed upstairs to see any doctor, as I was told by the uniformed, pistoled guards at all the stairwells." - A Burst of Light

"I work, I love, I rest, I see and learn. And I report. These are my givens. Not sureties, but a firm belief that whether or not living them with joy prolongs my life, it certainly enables me to pursue the objectives of that life with a deeper and more efficient clarity." - A Burst of Light

And my favorite poems from the collection in these selected works: 

If You Come Softly

Bloodbirth

Martha

On a night of the full moon

The American Cancer Society Or There Is More Than One Way To Skin a Coon

Love Poem

Revolution is One Form of Social Change

Power

Between Ourselves

To the Poet Who Happens to Be Black and the Black Poet Who Happens to Be a Woman

Thaw

The Politics of Addiction


Saturday, December 26, 2020

[poems] milk and honey - rupi kaur 2015









the very thought of you 

has my legs spread apart

like an easel with a canvas

begging for art


"like your mouth has the gift of reading and i'm your favorite book. find your favorite page in the soft spot between my legs and read it carefully."


"deeply hooded with conviction

the rivers of punjab

flow through my bloodstream so"


for you to see beauty here

does not mean

there is beauty in me

it means there is beauty rooted

so deep within you

you can't help but

see it everywhere